In 1919 at the end of WW1 Romanian peasant Manolache Preda returns to his native village where he finds his woman taken by another and his land sold to the local landowner.
Professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis.
When jobless Tommy Collins discovers that sequestered jurors earn free room and board as well as $5-a-day, he gets himself assigned to a jury in a murder trial.
A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police.
Set in the dense forests of 1940s Eastern Europe, this story reveals the supernatural encounters that challenge three soldiers' understanding of life and death.
Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife.
The New Year That Never Came is a tragicomedy whose action takes place in a single day, before the revolution of 1989, in which the characters search for normality, safety, love, freedom and meaning in an absurd world.
Three young man run in the rain with a borrowed car. The first accident, whose victim is a girl, gives the signal for a race through the city to escape the police crews.
In Alexandru Tatos’s debut film, a young urologist is assigned to a town hospital with no urology ward and keeps bumping up against his superiors because of both ethical and medical problems.
Adi, a gay teenager, is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down.
The title of Truth Through Mass Individuation references Carl Jung. An isolated figure is seen performing successively more aggressive actions — dropping a cymbal among a flock of pigeons, firing a rifle in a deserted city street.
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.