"El mundo de la transfiguración y los travestis, rodado en sus ambientes reales."28 November 1976Factual102 mins
One of the first (and perhaps therefore ambiguous) approaches to homosexuality in Spain at the time. The film narrates in cinematographic form the problem of the third sex, its justification and its existence within a real environment that is society itself. Two parallel worlds are shown to us; one, the hard and professional life of some artists who try to put on a 'music-hall' show. The other world is independent but it shows us what the life of an old glory was like, of an old man who was an artist in his time. Comparing one era with another is the intention of the film and ultimately its plot.
In a small cockpit-like room, we see two young hip hop musicians from Tokyo giving birth to a beat: precision, patience and camaraderie hold sway, midway between an installation and sitcom.
A young teacher in Zurich in the 1950s falls in love with a transvestite star but is torn between his bourgeois existence and his commitment to homosexuality.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts.
15-year-old Dawn runs away from what she feels is an intolerable home life. In the big city, she ends up turning to prostitution when she is unable to get a job due to her age.
The film revolves around the manin protagonist Meenakshi (K. R. Vijaya), who rises from an ordinary housewife to become a Mayor and the trials and tribulations she face to maintain a balance at work and at home.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
Episode from the documentary series Paraskinio, dedicated to Mimis Fotopoulos, who speaks about his life and work in a monologue in front of the camera, likely improvised.
