Michio Okabe, considered an icon of 1960s Japanese underground cinema, pursued the principle of subjective cinema by combining images that interested him cinematically and roles that he wanted to play himself. In MEMOIR the artist’s fantasies of the late 1970s are featured in a chaotic chain of images. (Go Hirasawa)
Encouraged by the stories of guest workers who pay visit to their homeland, a young man Filip finds himself on a central station in Frankfurt on the Main, Germany.
The good guys, a trio of swordsmen, gradually collect allies, including one by marriage. The groom must depart along with his bride but she must pass 3 tests before leaving.
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
Don Diego goes to war and his son Don Gonzalo is, in his absence, the new lord of the region. The milling Elvira, one of the mistresses of Don Diego, has a beautiful daughter, Elena, who has the desire of Don Gonzalo.
How does a country go from a dictatorship to a democracy? A detailed report on the political representation in the heart of the Spanish Transition, only a few months after General Franco’s death, when the sincere democratic vocation of Spanish people must effort to destroy, one heavy brick after another, the wall that those who supported the dictatorship and those who fought it from the exile built with resentment, hatred and prejudices.