In 1977, Ignacio Julià shot his last film in Super-8, Nomad, a 43-minute medium-length film with three protagonists and a fourth in the shadow, the author himself. The idea of assembling static portraits arose from reading a chapter on "off-screen space" - everything that does not appear on the screen but whose absence enhances the shot and the story - in Noël Burch's book Praxis del cine. The film shows the decisive influence of Andy Warhol and Phillipe Garrel's cinema. The soundtrack is by The Velvet Underground and the poster was by the Madrid artist Ceesepe.
After Poland won freedom from of its long overlordship by Russia and the Austro-Hungarian Empire in 1918, it took a further four years for its National Assembly to elect Gabriel Narutowicz as its first president.
A former resident of the town of Peyton Place, now wealthy and powerful, secretly returns to the town and sets in motion a spate of killings designed as revenge for past wrongs.
When ex-con artist Harry claims that a secret treasure is hidden inside Candleshoe, an English estate, he creates an elaborate plan to find and steal the prize.
In a kingdom, there lives a widowed king and his capricious and wayward daughter Jitka. One day, the king gets lost while hunting and meets a mysterious old woman and her beautiful daughter.
Don Diego goes to war and his son Don Gonzalo is, in his absence, the new lord of the region. The milling Elvira, one of the mistresses of Don Diego, has a beautiful daughter, Elena, who has the desire of Don Gonzalo.
a time-lapse glimpse of the Madison, WI skyline from dusk to dark. Shot from within a hotel room, the street traffic and the reflected interior interpenetrate in gradually shifting superimposition.
Comments
Have you watched Nomad yet? What did you think about it?
