Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.
How does a country go from a dictatorship to a democracy? A detailed report on the political representation in the heart of the Spanish Transition, only a few months after General Franco’s death, when the sincere democratic vocation of Spanish people must effort to destroy, one heavy brick after another, the wall that those who supported the dictatorship and those who fought it from the exile built with resentment, hatred and prejudices.