"The film acts as an epithet for what everyone knows about our meager place in the universe. Succinctly stated in Jack Arnold’s "The Incredible Shrinking Man" (1957) and loosely ad-libbed by me in an inspired Cageian manner via a pompous (but difficult to produce) single-frame optical pan traversing the lofty soliloquy. The toilet paper in the bare autumn tree was encountered early one morning outside the school of the Art Institute of Chicago on Columbus Drive. With eclair and 12-120 zoom in hand, it was a no brainer. The combinations illustrate a mocking attitude that is much in line with most Hollywood expressionism, lofty ideals via a crass medium."
Don Diego goes to war and his son Don Gonzalo is, in his absence, the new lord of the region. The milling Elvira, one of the mistresses of Don Diego, has a beautiful daughter, Elena, who has the desire of Don Gonzalo.
Liza, a schoolgirl, meets and falls in love with her classmate's brother, Paul. When she discovers she is pregnant, they each must consider the consequences as outlined by their respective parents.
Encouraged by the stories of guest workers who pay visit to their homeland, a young man Filip finds himself on a central station in Frankfurt on the Main, Germany.
A former resident of the town of Peyton Place, now wealthy and powerful, secretly returns to the town and sets in motion a spate of killings designed as revenge for past wrongs.
