A sequel to BRANDY IN THE WILDERNESS and a savage excoriation of the AFI and George Stevens Jr. A better title might have been HE WANTS PAYBACK, as Kaye's architect alter ego in the story lands a prestigious assignment to build a monument to the American Indian on the Capitol Mall, only to have the project sabotaged by forces beyond his control. The film is no veiled indictment of AFI, but a naked assault on the institute and its head.
Berlin, 1948: Paralyzed and robbed of her memory, Fleur regains consciousness after a serious fall. The doctor treating her recognizes that her problem is of a psychological nature and encourages her to face up to her past.
Shunned by his parents, brought up by a Poojary, nursed by a cow, Dhyanu Bhagat grows up performing miracles, curing the ill, and singing the praise of Devi Maa Durga.
A comic strip detective and a superhero are hired to investigate separatedly the successive murders of CEOs within a real life corporation symbolizing a nation, while subversive groups and members of the establishment lead a war for power.
Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma.
In the autobiographical tradition of the earlier Sincerities, this film takes up the light-threads of our living 14 years ago when the Brakhage family found home and "settled," like they say, into some sense of permanence.
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation.
Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena.
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Have you watched He Wants Her Back yet? What did you think about it?
