When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.
Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.
As bodies begin dropping around the Hollywood set of STAB 3, the third film based on the gruesome Woodsboro killings, Sidney and other survivors are once again terrorized by another Ghostface killer.
When a masked killer slaughters several campers in a small town, a sheriff and a deputy track the murderer to a local diner where, using their investigative skills, they must discover which person in the diner is the actual killer.
An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.
A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.
Friends Tepper, Quigley, Fishman, and Bolan get together for a weekly poker night with two simple rules: Everyone contributes a lottery ticket to the pot, and no one checks the numbers until the game ends.
The plot takes place in the revolutionary year of 1848. It takes us to Príbelice, where Janko Kráľ returns from Pest after the March Revolution, to acquaint the Slovak people with the famous Twelve Points, together with his friend, teacher Ján Rotarides.
Dead Eye and his gang are terrorizing a small Chinese region. Chan Ling and his group of misfit friends take it upon themselves to stop evildoers by learning the Super Kung Fu style.
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation.