A parody of feminist criticism on found footage covered by humoristic chisellings, signs or hasty figurative elements. Sometimes, chisellings are fine, and sometimes they are treated in large shots (razor tears, acid, cutting the film itself, wide spraying, thick stamps). A bedsheet is used as the final screen from which various women's evocations are represented.
Mild-mannered Clark Kent works as a reporter at the Daily Planet alongside his crush, Lois Lane. Clark must summon his superhero alter-ego when the nefarious Lex Luthor launches a plan to take over the world.
The plot takes place in the revolutionary year of 1848. It takes us to Príbelice, where Janko Kráľ returns from Pest after the March Revolution, to acquaint the Slovak people with the famous Twelve Points, together with his friend, teacher Ján Rotarides.
In the autobiographical tradition of the earlier Sincerities, this film takes up the light-threads of our living 14 years ago when the Brakhage family found home and "settled," like they say, into some sense of permanence.
A comic strip detective and a superhero are hired to investigate separatedly the successive murders of CEOs within a real life corporation symbolizing a nation, while subversive groups and members of the establishment lead a war for power.
Berlin, 1948: Paralyzed and robbed of her memory, Fleur regains consciousness after a serious fall. The doctor treating her recognizes that her problem is of a psychological nature and encourages her to face up to her past.
A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.
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Have you watched La Femme n’est plus ce qu’elle était yet? What did you think about it?
