Divided into three parts (two documentary and one fictional), the film explores the early stages of the 1977 movement, between demonstrations and heated assemblies at the Circoli del Proletariato Giovanile of the State University of Milan. The daily difficulties and the search for redemption are told without rhetoric, but with a raw reflection on social marginalization.
Mexico 1968: students are the public enemy. Mitch, a wealthy student of Monterrey, hijacks a plane to retrieve Beatrice, who has been kidnapped by the secret police six months ago.
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity.
In late 1960s New York City, fed up with monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service.
Documentary about the twin sister Jutta and Gisela Schmidt. In the late sixties the two women rebelled against middle class society as if they gave vent to a new kind of art.
Tells of the daring heist of The Stone of Destiny in the 1950s by a charming group of idealistic Scottish undergraduates, whose action rekindled Scottish nationalistic pride.
This film is a story, testimony and documentation of the forced disappearance of 43 student teachers, which exposes the criminal complicity between the police and military authorities, between the political and economic elites and criminal organizations in Mexico, which appear to be different forces, but respond to similar interests.
The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son.
Shunned by his parents, brought up by a Poojary, nursed by a cow, Dhyanu Bhagat grows up performing miracles, curing the ill, and singing the praise of Devi Maa Durga.
