Elisabeth and Massimo have been separated for two years and decide to affirm their independence with a divorce. The person who suffers the most from the situation is their son Marco, who normally lives with his father in a beautiful, but lonely country house. Marco's only satisfaction comes from riding his horse Socrates around the countryside, but Massimo sends the horse to his father-in-law in Sicily when, tired of solitude, he decides to sell everything and move into town. At this point, Marco, who has by chance witnessed the kidnapping and release of Gilberto, decides to flee and pretend he has been kidnapped to gain his parents' attention. His journey to Sicily, where his maternal grandfather lives near Ragusa, is crammed full of adventures, but the child makes it in the end, thanks to Rocco, a Neapolitan street urchin, who befriends him.
The film tells a story of a divorced couple trying to raise their young son. The story follows the boy for twelve years, from first grade at age 6 through 12th grade at age 17-18, and examines his relationship with his parents as he grows.
One year after the tragic death of his best friend, an eighteen-year-old machinist struggles with the split of his parents and the violent way of life surrounding him.
A seemingly innocent voicemail message left on a man’s answer machine by his ex, soon turns on its head when we learn of his dark past in their relationship.
Popular movie trailers from 1978
These some of the most viewed trailers for movies released in 1978:
Semi-follow up to "The Deadly Triangle" dealing with a sheriff and his deputy in a sleepy ski town involved with a group of urbanites planning a dangerous mountain climb as well as investigating sabotage in a condominium development.
A man is brutally beaten so he and 4 others head to the beach for refuge and relaxation. It soon becomes clear that they've been imprisoned by person or persons unknown.
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation.
In the autobiographical tradition of the earlier Sincerities, this film takes up the light-threads of our living 14 years ago when the Brakhage family found home and "settled," like they say, into some sense of permanence.
The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son.
