Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. Some liquids obey the laws of crystallization; we observe those transformations. Sometimes objects flowing, other times they change as if in a kaleidoscope. Colors give way to sepia, then back to multiple colors. The crystals can look like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.
The first remake of the paranoid infiltration classic moves the setting for the invasion, from a small town to the city of San Francisco and starts as Matthew Bennell notices that several of his friends are complaining that their close relatives are in some way different.
Homage to Ingmar Bergman in this family drama involving a fashionable Long Island interior designer who tries to impose her overbearing, critical standards on her husband and her three grown daughters.
In John Carpenter's horror classic, a psychotic murderer, institutionalized since childhood for the murder of his sister, escapes and stalks a bookish teenage girl and her friends while his doctor chases him through the streets.