MANONG (1978) was one of the first VC productions produced using industrial video technology, and signalled a transition away from celluloid-based film production for the organization. Director Linda Mabalot's narration, combined with archival images, stop-motion animation, water-color paintings, and poignant interviews with Filipino American older immigrants distinguishes MANONG as a pioneering introduction to an Asian Pacific American community whose narrative mirrors other immigrant groups who arrived to fill a void in America's labor and service sectors.
A comic strip detective and a superhero are hired to investigate separatedly the successive murders of CEOs within a real life corporation symbolizing a nation, while subversive groups and members of the establishment lead a war for power.
One year has passed since Max and Wanda got their divorce. Max has come to the realization that he wants his ex-wife back - no matter what the cost! So he concocts a sneaky plan: he asks Wanda to hide him from the police, who are apparently looking for him.
A man is brutally beaten so he and 4 others head to the beach for refuge and relaxation. It soon becomes clear that they've been imprisoned by person or persons unknown.
Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena.
Angelo Mao, Judy Lee and Barry Chen star in this tale of murder, intrigue and betrayal. When two separate imperial agents stay in the same room at different times are both offed, foul play is afoot.
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Have you watched Manong yet? What did you think about it?