I wanted to make a film in which the world is turned upside down, a film made up of images that assert that these images have no meaning. There is a shot that uses a doll, which was washed up on the riverbank where we visited while filming "Mineralogist". I picked it up thinking that I might be able to use it in the shoot. Masanobu Nakamura seemed to think that this shot was my response to "Commemorative Photography" and asked me about it, but I had no idea what it meant so I was at a loss for words.
Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena.
Carmen is a beautiful woman working in a business that is dedicated to smuggling. One day, Carmen fights and hurts to a smuggler woman, so a sergeant in the National Guard, José Navarro, stops detain her.
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation.
A man is brutally beaten so he and 4 others head to the beach for refuge and relaxation. It soon becomes clear that they've been imprisoned by person or persons unknown.
