Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.
Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
A poignant story about overcoming our demons and finding hope through darkness. Haunted by the affects of PTSD induced by fighting a war, the physical injuries that led to copious amounts of opiates, the emotional strain of his squad leader committing suicide, losing his best friend from overdosing on heroin, all combined with his drug addiction ultimately left Shawn losing all hope in life.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.
Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.
Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal.
French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
Semi-follow up to "The Deadly Triangle" dealing with a sheriff and his deputy in a sleepy ski town involved with a group of urbanites planning a dangerous mountain climb as well as investigating sabotage in a condominium development.
A comic strip detective and a superhero are hired to investigate separatedly the successive murders of CEOs within a real life corporation symbolizing a nation, while subversive groups and members of the establishment lead a war for power.
A man is brutally beaten so he and 4 others head to the beach for refuge and relaxation. It soon becomes clear that they've been imprisoned by person or persons unknown.
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation.
Carmen is a beautiful woman working in a business that is dedicated to smuggling. One day, Carmen fights and hurts to a smuggler woman, so a sergeant in the National Guard, José Navarro, stops detain her.
In the autobiographical tradition of the earlier Sincerities, this film takes up the light-threads of our living 14 years ago when the Brakhage family found home and "settled," like they say, into some sense of permanence.
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