In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.
Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma.
In the autobiographical tradition of the earlier Sincerities, this film takes up the light-threads of our living 14 years ago when the Brakhage family found home and "settled," like they say, into some sense of permanence.
Shunned by his parents, brought up by a Poojary, nursed by a cow, Dhyanu Bhagat grows up performing miracles, curing the ill, and singing the praise of Devi Maa Durga.
Angelo Mao, Judy Lee and Barry Chen star in this tale of murder, intrigue and betrayal. When two separate imperial agents stay in the same room at different times are both offed, foul play is afoot.
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation.
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Have you watched Women Metalworkers yet? What did you think about it?
