Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.
Serginho was one of the founding members of the historic Coligay fan club, the first fan club formed exclusively by homosexuals in the history of Brazilian soccer.
"Stolen House" is a documentary short film that follows the migration story of Mark, a Russian photographer, and Katya, a Ukrainian artist, to Argentina.
A group of exceptional young ladies in Khartoum are determined to play football professionally. They are prepared to defy the ban imposed by Sudan's Islamic Military government and they will not take no for an answer.
Take the Ball, Pass the Ball is the definitive story of the greatest football team ever assembled. For four explosive years, Pep Guardiola's Barça produced the greatest football in history, seducing fans around the world.
Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory.
For many fans, they simply belong together: football and beer. But is that really just a harmless connection of sport and pleasure? Because football clubs and breweries are often closely connected in Germany.
In 1965, the experienced director Jaroslav Mach made a documentary film with staged scenes, which dealt with the current problems of popular Czech sport.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies.
Katie, the 14-year-old daughter of a travelling family, is left in charge of an ailing mother and her nine brothers and sisters in Dublin whilst her father is in England seeking his fortune.
