Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.
In a Kaiju-filled Japan, Kafka Hibino works in monster disposal. After reuniting with his childhood friend Mina Ashiro, a rising star in the anti-Kaiju Defense Force, he decides to pursue his abandoned dream of joining the Force, when he suddenly transforms into the powerful "Kaiju No.
Bikuu is a Dark Slasher that receives an order from the Senate to take out a rogue priest that has fallen to the darkness, claiming souls using the Soul Insertion technique.
The spirit of Kiba the Dark Makai Knight influenced everything since the beginning. Though he called himself a Makai Knight, Kiba was no different to a Horror.
After chasing the mysterious Kamen Rider Dark Ghost, who had suddenly appeared, Takeru Tenkuji arrives at a strange village full of historical figures.
Gloria Fontanesi is a girl who works as a factory worker but carries within her a great passion: dancing! Success comes one night, when due to a delay by Renato Zero, the stage is finally hers.
It is an Epic story based on the book Virata Parva of Mahabharatha. After 12 years of Vanavasam, the Pandavas spend their 13th year of exile the Agnaadhavasam in an incognito state with disguised identities at the court of Virata.
During the time of the Peasants' Wars, the free knight Götz von Berlichingen gets into all kinds of private and political entanglements when he defends the Bishop of Bamberg.
Inspector Raj Singh's father was killed by Shankar and his men for gold. Years later he locates them but also finds that he has a step brother Suraj who works for Shankar now known as Devi Dayal.
A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
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Have you watched Akio Jissoji's Ultraman yet? What did you think about it?