After the semantic body (Double Labyrinth) and the libidinal body (L'enfant qui a pissé des paillettes, Soma) we are dealing here with another theme: that of the painful body or, more precisely, the memory of the body in relation to pain lived.
During the time of the Peasants' Wars, the free knight Götz von Berlichingen gets into all kinds of private and political entanglements when he defends the Bishop of Bamberg.
A queen has a stepdaughter named Baby Love, whom she wants to sell as a bride to the highest bidder. Four individuals present themselves to the castle to contribute to a kind of auction, but the girl, route to all sexual experiences while still a virgin, prefers to set out and lose virginity with a young knife thrower who is, incidentally, also the queen's lover.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.