Brief history and profile of Inuit communities in Northern Labrador and the role of the Moravian missionaries in the region. Warning for outdated and offensive term used.
Zombies are part of pop culture, but what are they? Where do they come from? To find real zombies we visit Haiti where Zombies are an integral part of the island's cultural and religious roots.
When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ.
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism".
Julia Sweeney's third autobiographical monologue, Letting Go of God takes the audience through her Catholic upbringing and how personal events in her life and that of her family led her to a disbelief in a personal universal deity.
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1954); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.
Popular movie trailers from 1979
These some of the most viewed trailers for movies released in 1979:
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
Katie, the 14-year-old daughter of a travelling family, is left in charge of an ailing mother and her nine brothers and sisters in Dublin whilst her father is in England seeking his fortune.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.