Abstract video art created in 1979. Video and audio by Dean Winkler, Glenn Van Alstyne, Tom Lucke, Elaine Lewis, and Brian Aitchison. Chirp-1 / Quantel was created in two separate effects passes: At the RPI Video Synthesizer Lab an old porno tape (on stock that was donated to us) was processed using an analog Serge modular music synthesizer to sequence the sounds and control the colorization of an analog Hern video synthesizer. The sounds are also inserted into the video, which are the stripes you see, changing with frequency. The tape from the first pass was taken to EUE Video and used to seed an analog feedback loop around a Quantel 5000 digital effects device.
Let's face it, rats are not the most beloved creatures on earth. However, maybe this little tale about the history of human and rat interaction will change the world's tune.
When an overconfident teen alien gets behind the controls of a spaceship, he must attempt to abduct a slumbering farmer under the watchful eye of a critical instructor.
Martynko, while in the guardhouse, found a deck of magic cards with which he could easily beat anyone! He made a quick career to the customs minister, robbing all foreigners to the skin right at the border crossing.
In Late Night Work Club's 2nd project, animators from around the world come together to create an anthology of animated shorts centered around the theme 'Strangers'.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
Taking the stage with the sun sinking in the West, Cheap Trick opened their Reading Festival appearance aptly with the raucous, quick-hittin' action of "Hello There", followed by the power pop rockin' "Come On, Come On".
An intellectually-challenged man and woman meet, fall in love, and are determined to get married, despite the initial objections of their families and friends.
Katie, the 14-year-old daughter of a travelling family, is left in charge of an ailing mother and her nine brothers and sisters in Dublin whilst her father is in England seeking his fortune.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
