Three female college students all need extra credit in order to graduate. So they convince an assistant professor into helping them with a three day cram course… in immersive sex studies.
One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.
It’s coming up to competition time for the pretty office girls of the Kara Cosmetics Company. Kei (Junko Asahina) and her co-workers are preparing their amateur rhythmic gymnastics team for an upcoming competition.
'Choon' the heroine with wacky and girly sensibility, lives with her best friend Ga-hee in her boyfriend's house, and is absorbed by three generations which struggles but eventually loses its goal.
A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku.
Troublemakers Mok-won, Ryu and Hak-moon are far from passing the state examinations. Three female students enter the school during a new spring term and the atmosphere changes.
Fujiko has won a happy marriage after competing with her friend Kanae for Shunsuke, but her boring daily life and dissatisfaction with her husband only grows day by day.
Sena has had a care-free deco-truck business, but one day, she receives a strange request by a cheap hoodlum, Takizawa, to carry a blind stripper, Azumi, to a certain location.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.