Cops and Robbers depicts a city where ordinary citizens hold little trust for the police; far removed from the post-ICAC Hong Kong of today. "Can't even look after their own guys," a man grumbles in a roast shop after the bank shooting. The main witness for that crime refuses to speak to the police on principle and even an Old Master Cute comic strip is raised to depict the public opinion. The portrayal of the policemen is decidedly heroic against this background, strengthened by a rousing rock number sung by producer Teddy Robin and coverage of their social lives. The guy they're up against has to be the creepiest villain I've ever seen in film, and his being cross-eyed is only part of the sensation. As he gets more and more screen time, Cops and Robbers builds into a strong and disturbing movie experience.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
The perversion behind imperial Rome, the epic story of Rome's mad Emporer. All the details of his cruel, bizarre reign are revealed right here: His unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing those who would oppose him, and more.
"Hair" is a 1979 musical war comedy-drama film adaptation of the 1968 Broadway musical "Hair: An American Tribal Love-Rock Musical" about a Vietnam War draftee, Claude, who meets and befriends a tribe of long-haired hippies on his way to the army induction center.
Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II.