“Shot at a Bohemian crematorium outside Chicago, this self-viewing at work makes metaphoric reference to the location and process of cremation. Still photos, drawing, bleach, inks & silver tape were used to ‘move heaven and hell’, all from the vantage point of a devout atheist.” (J.B.)
Katie, the 14-year-old daughter of a travelling family, is left in charge of an ailing mother and her nine brothers and sisters in Dublin whilst her father is in England seeking his fortune.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
An intellectually-challenged man and woman meet, fall in love, and are determined to get married, despite the initial objections of their families and friends.
A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
Comments
Have you watched Crematorium: A Collaborative Self-Portrait yet? What did you think about it?
