Halil is a teenage boy, son of a poor porter, and sees him dying when serving a man without compassion. Halil keeps on with father's work, to pay for his younger brother and their old mother food and shelter in a slum. Then, the horse that pulled the chariot dies, and Khalil goes on, taking the animal's place. A rich man tries to kill another, and pays Halil to pick up the revolver, and take the blame - going to prison instead of him. Halil accepts, and takes the money to his mother. In prison, Halil grows up as a rowdy man. Later, fate will bring the two brothers together, but in opposite sides of the law: Halil is a paid assassin, and his brother is a public prosecutor. When the Mafia pays Halil to kill his own brother, he refuses - and the Mafia retaliates by killing his wife. Halil vows to revenge her.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
In 1879, Kenshin and his allies face their strongest enemy yet: his former brother-in-law Enishi Yukishiro and his minions, who've vowed their revenge.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation.
Olaf writes his memoirs, before his execution. He tells of his life as a struggling farmer when Renie, stranded in the village, stays one night in his home and Olaf falls in love with her.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
The Riehl family has recently owned a small house in a new development in the countryside. Mr. Riehl drives into town every morning, where he works in a furniture store.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
