An exploration of three different approaches to filmic looking which plays off the audience's expectations of the narrative, documentary, and experimental genres of cinema.
Tripper is the head counselor at a budget summer camp called Camp Northstar. In truth, he's young at heart and only marginally more mature than the campers themselves.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
Katie, the 14-year-old daughter of a travelling family, is left in charge of an ailing mother and her nine brothers and sisters in Dublin whilst her father is in England seeking his fortune.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
An intellectually-challenged man and woman meet, fall in love, and are determined to get married, despite the initial objections of their families and friends.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
Taking the stage with the sun sinking in the West, Cheap Trick opened their Reading Festival appearance aptly with the raucous, quick-hittin' action of "Hello There", followed by the power pop rockin' "Come On, Come On".
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Have you watched Mansacts yet? What did you think about it?