A film of multiple superimpositions, utilizing the images of Solariumagelani (Summer Solstice, Autumnal Equinox, and Winter Solstice) (1974) overlaid with the hexagonal shapes that recur throughout Frampton's Magellan cycle.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
Glen doesn't dare tell his fiancée Barbara that he is a transvestite; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.
Routine imprisoned Eva in an automatism that was ingrained in her spirit. Dromomania will perhaps be the expression that best illustrates her condition.
The strange voice of Yukie guides us through her memories before the end of time. Yukie awakens in the bodies of other women and recognizes herself in different places.
This dazzling stop-motion animation provided Vorkapich with a forum to demonstrate complex perceptual theories related to the persistence of vision and phi phenomenon.
Evil Chun Shan uses chess boxing and a five-element ninja style to terrorize the martial arts world until he is challenged in a series of battles, then destroyed.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
It is an Epic story based on the book Virata Parva of Mahabharatha. After 12 years of Vanavasam, the Pandavas spend their 13th year of exile the Agnaadhavasam in an incognito state with disguised identities at the court of Virata.
A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
Alex, a real estate businessman, has no concerns in giving her wife every kind of freedom. They invite Gloria, an old friend of both, to spend the summer break in their countryside house next to the beach.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.