A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Famous for combining extremely simple line drawings with biting humour she lays bare the frustrations encountered by ordinary women in their daily lives.
Hiraeth is a heart-breaking film that explores one woman's grief at the edge of the solar system. Amber Jones, a British astronaut on the first manned mission to Europa.
It's Bobo's birthday, but sadly no one showed up to his party. A big game hunter figures it's the perfect opportunity to capture the fearsome monster—by throwing Bobo the birthday party of his dreams.
Part of Chris Marker’s Three Video Haikus series, Tchaïka is a brief visual meditation showing an overexposed view of a bridge and the river flowing beneath it.
A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies.
Gloria Fontanesi is a girl who works as a factory worker but carries within her a great passion: dancing! Success comes one night, when due to a delay by Renato Zero, the stage is finally hers.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax.
