The procedure of separating and extracting certain aspects of a scene by adjusting the focus of a series of frames in succession according to various organizational patterns is developed in Retour d'un repère. While the filmic operations are structured in relation to a limited space (a branch over a 19c duck pond), the filmic process rests on a visual transformation of a pantoun, a verse form borrowed from literary rhetorics, which characteristically transforms itself gradually and continuously in a precise manner. - Lightcone
A portrait of a small Georgian village filmed across the seasons, that focuses on family intricacies and working the land in a timeless place of transience and refuge.
Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.
Good-natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in.
One day Sammy and his younger sister Ellie happen upon a cabin where Alice, a young, partially deaf girl with epilepsy is being kept by her abusive stepfather.
Vivienne Dick's first film after the New York series takes her back to her native Ireland. Using Super-8 film as a parody of the 'travelogue' or home-movie style film, Dick takes a expatriate, tourist look at her homeland.
Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
