An attempt to conjure pictorially, from the mind, an image that isn't referential: "...I'd like to give something back, not a picture of a flower, but some flower that couldn't exist except on film." - S.B.
"I'm not sure if this work is titled I for Imagnostic, or "I" as designating first person singular or Roman Numeral One."
In Curitiba, the group that leads music label Meia-Vida is responsible for a secret portion of the city, hidden behind secluded apartments, dimly lit rooms and crooked, labyrinthine songs, responsible for one of the most fascinating musical movements in the country.
Elaborate petal-like and multicolored flowers rising in white space until the whole field is as if crushed by floral designs in madly-swift mixtures of every conceivable previous shape from the Persian Series.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot.
Jonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to music, structured in four segments that highlight different acts.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
An intellectually-challenged man and woman meet, fall in love, and are determined to get married, despite the initial objections of their families and friends.