Soji-ji (1979) is a video work documenting a chant recitation at a Zen temple. The chant recited by many monks does not proceed in unison like group singing. Each monk recites in sync with his breath, so that the intake of breath occurs at different moments. That is to say, each monk articulates the chant differently. Since there is no unified division, when the multiple chants overlap, an endless wave of chant (sutra) appears as a collective density or modality (at the same time, each monk’s steps form a totally different rhythm from the individual chants).
Are we in the last days of our great nation? Is it too late for America? Revive Us features worship, prayer, and thoughtful discussion as Kirk Cameron turns to Scripture to offer encouragement for our great nation.
Bible expert Bill Gallatin explores biblical prophecies from the Book of Revelation that have transpired, with a discussion of whether these events signify that we are now living in the End Times preceding the return of Jesus Christ.
In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.
In this documentary, Prof. Laércio Fonseca presents facts and connections between cosmology, the universe, The Earth Project and The Planet Deadline according to Chico Xavier.
It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.
A harrowing exploration of the rapid rise of American religious fanaticism after 9/11. This film explores an emerging ultra Right Wing mass movement seeking dominion over all aspects of contemporary American society.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
