A man and a woman in a desolate landscape; the camera interrupts their walks until they meet. Then a game of attraction and repulsion sets in; filmed in the typical nervous theatrical style that characterizes the early work of Ketelaars.
Gloria Fontanesi is a girl who works as a factory worker but carries within her a great passion: dancing! Success comes one night, when due to a delay by Renato Zero, the stage is finally hers.
A remote stone house nestles peacefully on the edge of the Yorkshire moors. In the garden. Faith Armstrong describes the flowers and the late afternoon skies to Jack, her blind husband.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.