Valley Fever shares certain concerns with Beroes' earlier film Recital. Again, she is interested in the locus of individual perception, but is less concerned with emotion than with the bounds of human consciousness. Like Recital, the film is also highly structured and revolves around the reading of various texts. It involves two 'characters', a woman and a man, who, according to Beroes, carry on a 'disjunctive conversation about the effects of illness on perception. While the man reads from a scientific treatise on the syndrome of fever, the woman chooses the words of Merleau-Ponty, explaining her experience in phenomenological terms. They show each other film footage in an attempt to visualise/exchange their perceptions. But ultimately the film confirms their inability to 'see eye to eye'.' In her choice of cinema as a medium of 'exchange' within the film, Beroes also points to the dilemma of the artist and the problematics of communicating one's singular vision to the larger world.
The last of the 'Airport' series again stars George Kennedy as aviation disaster-prone Joe Patroni, this time having to contend with nuclear missiles, the French Air Force and the threat of the plane splitting in two over the Alps!
"Hair" is a 1979 musical war comedy-drama film adaptation of the 1968 Broadway musical "Hair: An American Tribal Love-Rock Musical" about a Vietnam War draftee, Claude, who meets and befriends a tribe of long-haired hippies on his way to the army induction center.