In 1979 Toei president Shigeru Okada saw the future. More precisely, he saw Walter Hill's The Warriors in the US prior to its Japanese opening. Okada rushed back to make his own version. "Towards the 80! Our era! Now filming!" the trailer exclaimed. The plot is roughly the same as in The Warriors except this time the chased gang has to make it from Kobe to Tokyo and the leader's got the enemy's sister handcuffed to him. Hardly great cinema, but undeniably entertaining with frantic pacing, loads of music and even a massive roller blade street chase! As a vision of future, it wasn't too far off if the future was defined as 80s rock, bad fashion and comic book films.
A conflict of interest between two high-kicking assassin sisters is complicated as they're pursued by the criminals who hired them and an equally high-kicking female cop.
Kyung-jin, a police officer who finds herself chasing down a suspected bag-snatcher on her day off. However, the man she catches turns out to be Myungwoo, a passer-by who was himself trying to apprehend the real criminal.
A man imprisons his estranged junkie friend in an isolated cabin in the boonies of San Diego to force him through a week of sobriety, but the events of that week are being mysteriously manipulated.
Abashiri Prison is located in the coldest place in Japan. Two men, handcuffed together have escaped from the prison, one a yakuza, the other a petty criminal, and although they hate each other they must work together if they are to evade capture in this harshest of climates.
BREAKING HER WILL follows the path of one of the most twisted villains ever to appear on screen. What he does to his captive hitch hiker creates an atmosphere of utterly demented sleaze.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
