In the 1980s, barely 18 years after Algeria's independence, Algerian immigration to France massively fueled the construction industry, responding to a demand for hard, undervalued labor. Behind the idea of "selective immigration," these men were recruited primarily for their bras and their knock-kneed hands, shaped by construction sites. Invisible yet essential, they built roads, buildings, and infrastructure, often at the cost of precarious conditions. Ali, an Algerian crane operator in France, philosophically accepts the harassment faced by immigrants like himself on construction sites and in daily life. He hopes to escape his situation with the money he wins in the lottery, and from the top of his crane, he allows himself to dream, observing the world through binoculars. One day, the jackpot falls...
Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.
Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies.
Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city.
Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house.
At the outbreak of the Second World War, two friends, Mokrane and Menach, abruptly interrupt their studies and return to their remote native Kabylian village of Tagsa.
A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954.
Despite his lack of political convictions, photojournalist Bruno Forestier is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter.
The advantages and pleasures of crossing the channel by Hovercraft. In this film a sales executive, with his car and engineering samples, travels to Lille for a business appointment; and a family goes to Paris for a holiday.
