Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters.
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
Adrian Edmondson narrates a documentary chronicling the story of Stiff Records, a tiny independent that took music out of the boardroom and gave it back to the fans.
Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album.
Chris Gallagher’s feature-length film essay Time Being is an elegant and thought-provoking investigation of the nature and experience of time, and its filmic representation.
Filmed in September of 2012, this self-confessed sci-fi documentary follows life at Mexico while reflection on what happens using Wagner's music and quotes from Raw Materials for a Theory of the Young Girl.
Felipe goes home for a holiday and discovers that everything in town has changed in his absence; old don So-and-so is running around forcing people to sell their farms to him and killing them if they refuse.
A small-town bar, open only from 9AM to 3PM and owned by Buck (Earl Holliman), is the setting where bored housewives and wandering husbands go to find some adventure in their miserable lives.