Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters.
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
Adrian Edmondson narrates a documentary chronicling the story of Stiff Records, a tiny independent that took music out of the boardroom and gave it back to the fans.
Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album.
Chris Gallagher’s feature-length film essay Time Being is an elegant and thought-provoking investigation of the nature and experience of time, and its filmic representation.
Filmed in September of 2012, this self-confessed sci-fi documentary follows life at Mexico while reflection on what happens using Wagner's music and quotes from Raw Materials for a Theory of the Young Girl.
Yoko is upset when her father remarries and begins rebelling against her new stepmother. First, this is accomplished by promiscuity and partying but eventually her schemes take a much darker turn.
Industrialist Sood's manager Vishal gets expelled for siphoning off money from the company. To seek revenge, he kidnaps Babloo, one of Sood's twin sons, and inducts him into the criminal world.
An escaped convicted murderer invades the cottage of a man, his wife and the wife's sister, whereupon he proceeds to torment this already dysfunctional trio with rape and violence.
A remake of Vávra's 1948 atomic age thriller Krakatit. Engineer Prokop creates the devastating explosive “Krakatit” and soon confronts manipulative agents and imperialist conspiracies.
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Have you watched Chance, History, Art... yet? What did you think about it?