"La Clemenza di Tito" was Mozart's last stage work. It was commissioned for an Imperial coronation ceremony while Mozart was at work on "Die Zauberflöte" and was composed in great haste. Indeed, time was so short that composition of the secco recitatives was assigned to Mozart's pupil Süssmayr. As in the earlier "Idomeneo", Mozart sought to produce an opera seria that was dramatically viable. He enlisted the poet Mazzolà to substantially revise the Metastasio libretto, which had already been set some fifty times. The number of arias was reduced from 25 to 11, and ensembles and choruses were added to enliven the proceedings. Though perhaps not the very top-drawer Mozart, the music is wonderful.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South.
A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.
Verdi’s grand opera “Aida” is given an intimate treatment in Busetto, Italy, in 2001, in a staging with young singers, all coached by the legendary tenor Carlo Bergonzi and staged by Franco Zeffirelli.
A tragic and secretive romance ensues over many years after two men meet while herding sheep on Brokeback Mountain in this opera based on Annie Proulx's short story and its subsequent Oscar-winning film adaptation.
Celeste is a renowned opera diva who retired early for the man she loved to live on a crumbling and beautiful estate in the heart of a rainforest in Far North Queensland.
Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection.
This is Laurent Pelly’s Théâtre des Champs-Élysées staging of Rossini’s Il barbiere di Siviglia, with a cast featuring Florian Sempey as Figaro, Catherine Trottmann as Rosina, and Michele Angelini as Il Conte Almaviva.
The sets and costumes by Ponnelle are truly reflective of the 'grand style'. Plus the fact that the two lead characters are portrayed by top singers in their absolute prime - both Gruberova and Araiza weren't even 35 years old at the time of this performance, makes this production the most convincing both dramatically and musically.
Popular movie trailers from 1980
These some of the most viewed trailers for movies released in 1980:
Two teenagers on the run with a quarter of a million dollars belonging to an illegal drug ring are pursued by a suave crime czar and, after they gain a celebrity of sorts, by the whole country, which wants to partake of their largesse in their coast-to-coast spending spree.
A feudal epic presenting the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans.
Sexy girl seduces all the members of her family. She indirectly causes the failure of his father's marriage, for her stepmother falls in love with her.
The origins, exploits and the ultimate fate of the James gang is told in a sympathetic portrayal of the bank robbers made up of brothers who begin their legendary bank raids because of revenge.
