Viewers of Hong Kong Cinema in 1980 could be forgiven for thinking the world was coming to an end. The old societal customs no longer held, and the new was open to endless possibility in the imagination, but narrowed by poverty and circumstance into a futile struggle to find some purpose, any purpose, worth having. In Patrick Tam's Nomad, teens hung out and tuned out of a society in which they couldn't find a place, but which wouldn't let them go except in death. In Tsui Hark's Dangerous Encounter - 1st Kind, the bored kids turn to a darker place, and get their kicks killing cats and making bombs, with however similarly disasterous consequences. Somewhere in the middle, then, sits THE HAPPENINGS, its teen protagonists neither dropping out of society nor willfully destroying it. Instead, they just carouse through life, drinking, dancing, partying, stealing, for no other reason than listless boredom. And very quickly, things start getting out of control
Misery is brought to a small group of Sho in the Kalahari desert in the form of a cola bottle. In his quest to throw the evil object over the edge of the earth, Xixo encounters Western "civilization," a haphazard doctor and a tyranical despot.
A rich family residing in a French villa treats their two maids like garbage. The two girls decide to seduce the young son Luca who is home for the holidays and point him towards Fanny who is in the middle of being sexually awakened.
Dave Speed is no ordinary Miami cop--he is an irradiated Miami cop who has developed super powers. Unfortunately, he doesn't quite know how to use them and this gets him in trouble with his long-suffering partner.