This 1981 Bolshoi production performed in the concert hall of The Kremlin is by far the best available, despite the more ‘historical’ picture and mono sound. The production itself is a very classic period production, with utterly authentic costumes and aptly dramatic sets. There are even horses on stage. The depiction of the Don Cossacks’ Khan Konchak and his tribe is colourful and historically informed in one. Needless to say, the scene of the Polovtsian Dances is spectacularly presented with great choregraphy and terrific dancing, in the league of the Spartacus of Bolshoi, no less.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she loves.
Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant.
A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop.
Glyndebourne's Saul stole the summer and had critics raving. The Guardian (****) applauded virtuoso stagecraft from director Barrie Kosky in his debut production there, calling the show a theatrical and musical feast of energetic choruses, surreal choreography and gorgeous singing.
Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs.
The found-footage collage was overlaid with a psychologist expounding on sex offenders, analog video effects, edgy graphics, and a new wave score by the band Human Sexual Response.
A conservationst, stranded with his family at a Newfoundland coastal resort, flies in the face of custom and fights an entire community to prevent a trapped whale's slaughter with only the support of his wife and one of the locals.
Two swordsmen from separate sects band together to kill Ruthless Chi, head of another sect.But did he really die? Events show that the Ruthless killer stills controls the strings and its up to the swordsmen to reveal his true identity.
Franz Bielek is a bailiff by conviction. However, his overzealousness is increasingly a thorn in the side of his superiors, so they transfer him from the provinces to Munich without further ado.
