Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
Explains what war gas is, how it is used by the enemy, and how simple household items, such as bicarbonate of soda and bleaching solution, may be used to prevent casualties.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Economic Zone (the border between Socialism China and Capitalism China) were compared to the Berlin Wall.
A short documentary on Toronto’s punk & music scene and how spaces like S.H.I.B.G.B’s create a non-institutional platform for artists to engage an audience.
Video essay ‘Rock and Cliff' investigates the creation of Horn Town, a new model village and centre of large scale tourist development, and the experiences of rural residents moved there through government-led displacement.
Iván Ávila Dueñas uses domestic found footage material. We observe a mineral engineer, a priest and a constructor filming their personal life in Zacatecas, Mexico between 1930 ad 1950.
A conservationst, stranded with his family at a Newfoundland coastal resort, flies in the face of custom and fights an entire community to prevent a trapped whale's slaughter with only the support of his wife and one of the locals.