The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in a 'real' unreal set, the slapstick satire of structural film begins. It is not the camera that moves, but the whole set, in this first of three material 'investigations' of camera movement. In the second, the camera literally invades the set; a plexiglass sheet in front of the dolly crushes everything in its sight as it zooms through space. Finally, this monster of formalism pushes through the wall of the set and the film cuts to a series of rapidly edited shots as the camera zigzags over lines of force and moving fields of vision in an approximation of the eye in nature. Snow pushes us into acceptance of present moments of vision, but the single drum beat that coincides with each edit in this elegaic section announces each moment of life's irreversible disappearance.
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside.
In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
A taxi driver, a young girl and a backpacker simultaneously experience a wonderful journey in Tokyo, where they find connections to their own homes in Africa, Europe and Southeast Asia.
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot.
Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other.
Alternative movies trailers for Presents
More movie trailers, teasers, and clips from Presents:
LET'S CEE presents MAN OF IRON (Poland 1981)
LET'S CEE Film Festival presents once a year in Vienna high-quality productions from Central and Eastern Europe (CEE) including the Caucasus region and ...
AFS PRESENTS: ON THE SILVER GLOBE
Sat June 17 2017 10:00 PM Afs Cinema (6406 N Interstate 35 Frontage Rd Suite 3100 Austin TX 78752) This June we begin a new art-cult screening series ...
Desperate Moves (aka Steigler and Steigler) starring Steve Tracy Eddie Deezen Isabel Sanford and Christopher Lee. Directed by Ovidio G. Assonitis (as Oliver ...
New Castle After Dark presents Saturday the 14th
A family moves into a house inhabited by scary creatures and a number of close calls ensue. A fun comedy from 1981!
Russ Doughten presents "Image of the Beast" (trailer)
Introducing the prophecy of Bedsheet Beardo.
Martin Scorsese Presents Masterpieces of Polish Cinema
Martin Scorsese Presents: ...
Popular movie trailers from 1981
These some of the most viewed trailers for movies released in 1981:
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
