Life seems to be good for Shintoto, an up-and-coming rakugo artist who has just had his first sexual experience at a local brothel. Lucky for him, he gets to date the beautiful sex worker he meets that day, and a younger high school rakugo aficionado is also vying for his attention. But for clumsy, heart-on-his-sleeve Shintoto, life doesn’t stay rosy for long.
Haruki Masato is a shy youth who gets swept away when he happens upon a rakugo performance. He knocks on the door of rakugo master Imadoka Shoroku in Tokyo’s old downtown and somehow gets taken on as a disciple, and embarks on a path to become a rakugo comedian under the name of Imadoka Koharu.
Tamon is an awkward 50-year-old rakugo comedian with no popularity, respect, or ambition. He struggles by, taking care of his father, who can no longer perform rakugo due to his steadily worsening dementia, and who does nothing but badmouths Tamon and calls him a disappointment.
The movie revolves around Mitsuba, who studies traditional art of rakugo. Rakugo is a form of comical story telling, sometimes referred to as sit-down comedy.
When a gal named Kasumi decides to become a traditional Japanese 'Rakugo' storyteller due to her uncle's invalidity, she is soon on her way to a career with college-level and amateur success.
A celebration of the ancient art of Japanese rakugo, roughly translated as “comic storytelling”. The film is interspersed with numerous funerals and wakes, songs, dances, and often disgustingly crude jokes.
Kishinchand is a Customs Officer based in Bombay. He has been assigned to infiltrate and expose a gang of smugglers and drug dealers headed by two gangsters named Jaggan and Ajay Kumar.
Simon Simpson runs an entertainment agency in Liverpool. At one of his regular auditions in The Bootle Railway Club he sees an aggressive young man fresh from the dole queue who dreams of becoming a professional comedian.
Nina Kern, a divorced woman in her late twenties, will soon be fully deprived of her custody rights for her three children, who already reside in a home for the displaced due to Nina’s many years of willful neglect.
The found-footage collage was overlaid with a psychologist expounding on sex offenders, analog video effects, edgy graphics, and a new wave score by the band Human Sexual Response.
