Experimental xerofilm shot on Super 8 and made in New York in 1982, developed from experiments with moving sewing threads over a slide mount frame, projected onto a color Xerox machine through a mirror. Mutations and effects arise from alterations also produced by the machine, together with chance. The xerofilm opens a new field for animation and experimental cinema.
Tomisaburo Wakayama is back with a new take on the classic Yamamoto Shugoro masterpiece “Ame Agaru” as a samurai on the run with his bride who makes a living by challenging dojo masters to a match, then taking money from them to keep quiet about it.
A hunting party arrives at a lodge in the Tatra mountains in Slovakia, where one woman in the party had “accidentally” shot and killed her first husband some time ago.
Shankar is a self-starter who is scorned and expelled from the family by his virago stepmother. However, he well-earns with his hard work and lives buoyant with his wife Sona and a child Munna.
The Bed opens with Jamie, a young man, looking round an old, deserted country house. Through flashback we see Jamie as a boy, scared out of his wits when his older sister and her boyfriend, left alone in the house to babysit Jamie for the evening, play cruel tricks on him.
The ape-man, found somewhere in the jungles of Congo, transferred to Milan and named Bingo Bongo. The only one who believes in the human qualities of him is Laura, a woman anthropologist , so their affection for each other even grows to love.
Sally (Sally Yeh) is a club singer, caught in a love rectangle between three men: Stone (Kenny Bee), a bank robber newly released from prison, club owner Paul King (Michael Chan Wai-Man) and Pow (Melvin Wong), a policeman.
