After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.
Zuhra has nothing to do but to runaway after her family forced her to marry an old rich man. She goes to Alexandria where she works in a motel and there she meets people with different ideologies and thoughts about life.
Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well.
Rebel Ibrahim Hamdy assassinates a pro-colonial Prime Minister but is arrested and hides with a fellow university student, who initially refuses but eventually accepts him.
Set in the suburbs of Cairo in the late 1930s, the story follows a middle-class Egyptian family grappling with the hardships of life after the death of their father, their sole breadwinner.
Murad Salem is a rich man who is used to getting what he wants whenever he wants it. When he meets a beautiful woman in Alexandria, he wants her as wife number thirteen.
Little boy learns of his stepmother's infidelity and later witnesses a murder... but the shocks have thrown him into a hysterical paralysis, and it's almost impossible for him to communicate anything to anybody.
A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.
