After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.
Zuhra has nothing to do but to runaway after her family forced her to marry an old rich man. She goes to Alexandria where she works in a motel and there she meets people with different ideologies and thoughts about life.
Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well.
Set in the suburbs of Cairo in the late 1930s, the story follows a middle-class Egyptian family grappling with the hardships of life after the death of their father, their sole breadwinner.
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Shankar is a self-starter who is scorned and expelled from the family by his virago stepmother. However, he well-earns with his hard work and lives buoyant with his wife Sona and a child Munna.
A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
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