Although this grouping of three works shot during Peter Hutton’s yearlong stay in West Berlin seems to have been screened at least a few times, it was never placed in distribution and it seems that Hutton shelved it after these few screenings.
1981-2. 16mm; 45 minutes; black and white; silent.
Shankar is a self-starter who is scorned and expelled from the family by his virago stepmother. However, he well-earns with his hard work and lives buoyant with his wife Sona and a child Munna.
Tomisaburo Wakayama is back with a new take on the classic Yamamoto Shugoro masterpiece “Ame Agaru” as a samurai on the run with his bride who makes a living by challenging dojo masters to a match, then taking money from them to keep quiet about it.
Musician Fela Anikulapo Kuti recorded more than 60 albums to promote the magic of Afrobeat but never lost his political voice as an outspoken critic against widespread government corruption in Nigeria.
A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.
