Diana Wilson’s mysteriously beautiful animated tableaux fluidly unfold before our eyes, a generous receptacle for the mournful, harrowing soundtrack, in which the filmmaker recounts a tragedy from her youth. Preserved by the Academy Film Archive in 2011.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.
A short film about a mother and her son, she teaches him life skills later on the son gets niked by a man so the young donkey can be his work slave and his mother saves him.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s.
Tomisaburo Wakayama is back with a new take on the classic Yamamoto Shugoro masterpiece “Ame Agaru” as a samurai on the run with his bride who makes a living by challenging dojo masters to a match, then taking money from them to keep quiet about it.
Sally (Sally Yeh) is a club singer, caught in a love rectangle between three men: Stone (Kenny Bee), a bank robber newly released from prison, club owner Paul King (Michael Chan Wai-Man) and Pow (Melvin Wong), a policeman.
It begins in the days after Sadat's assassination in 1981 by an islamist cell of army officers. The American media had led an outpouring of shock and grief in the United States at the death of the heroic president.