"First... "El Chanfle" and now his second film make more laughs to young and old!"14 January 1982Comedy, Family
is the continuation of the Mexican film El Chanfle (1979) Chespirito, which aired in theaters in 1982. At that time the cast of the neighborhood (with some absences: the Carlos Villagran, who decided not to continue working with Roberto Gomez Bolaños by a personal decision, he left in 1979. Ramon Valdez next year decides to accompany him, also leaving to work with Chespirito. returned with him in 1981, but a health problem that was detected in the early 80's, was prevented from participating in this film), it left room for the story of a lowly stagehand football team that achieves his dream beside his wife Tere, of having a child. In this film, the situation is a little different.
When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican".
When a straight-laced couple that has fun with a rowdy couple on vacation in Mexico return to the States, they discover that the crazy couple they met in Mexico followed them back home and decide to play tricks on them.
The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.
Mrs. Garrett and the girls travel to Paris, France. Mrs. Garrett takes a cooking class taught by a famous chef as the girls take classes at the sister school of Eastland.
A hunting party arrives at a lodge in the Tatra mountains in Slovakia, where one woman in the party had “accidentally” shot and killed her first husband some time ago.
In 1963, living a routine life on Norma Place in Los Angeles, recluse writer Dorothy Parker and bisexual husband Alan Campbell recall their often-rocky relationship, started thirty years earlier.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
The Bed opens with Jamie, a young man, looking round an old, deserted country house. Through flashback we see Jamie as a boy, scared out of his wits when his older sister and her boyfriend, left alone in the house to babysit Jamie for the evening, play cruel tricks on him.
