01 January 1982 5 mins
Text by Gertrude Stein, from "Tender Buttons." "Something is happening to a painting, because it is being looked at, and several thousand cut outs and objects are called into the fray. My shooting field here ranges from 18" x 30" to 9' x 12'."–S.M. Included in the 1985 Whitney Biennial.
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United States 01 January 1982
These some of the most viewed trailers for movies released in 1982:
01 January 1982
The Bed opens with Jamie, a young man, looking round an old, deserted country house. Through flashback we see Jamie as a boy, scared out of his wits when his older sister and her boyfriend, left alone in the house to babysit Jamie for the evening, play cruel tricks on him.
25 June 1982
A research team in Antarctica is hunted by a shape-shifting alien that assumes the appearance of its victims.
05 February 1982
With India ready to enter into the Atomic Age, several international gangsters get together to steal the secret for the benefit of other nations.
16 April 1982
Unable to handle the taking of his kingdom by an Indian Government decree, the Maharaja kills himself.
03 April 1982
A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.
07 March 1982
An in-depth look into the making of the film Annie (1982). It covers the adaptation changes from the original Broadway musical, the hiring of director John Huston, the nationwide search to cast the title role, the production process, and the conception of several musical numbers, including a different version of the song "Easy Street" than the one that ended up in the film.
31 December 1982
While hitchhiking to escape an abusive home life, a teenage girl is picked up by a couple on a camping trip.
18 November 1982
Sally (Sally Yeh) is a club singer, caught in a love rectangle between three men: Stone (Kenny Bee), a bank robber newly released from prison, club owner Paul King (Michael Chan Wai-Man) and Pow (Melvin Wong), a policeman.
11 January 1982
Experimental artistic film which uses the milieu of experimental art with a background of various kinds of sounds and music.
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