MOVING IN begins as a documentary on the growing problem of homelessness in San Francisco in the wake of Reagan-era budget cuts and ends as a meditation on the filmmaker's own relationship to the situation. Having moved into a "bad" area as a middle-class artist searching for affordable living and working space, the filmmaker is confronted with his own luxury of choice about where he places himself in the world while surrounded by people who have no real choice. The film uses the filmmaker's "liberal guilt" about his own privilege to raise questions about whether or not it is possible to represent a world that the filmmaker has had little connection to without further exploiting, sentimentalizing or reinforcing the dehumanization of people who are victims of a political system that privileges greed over equality. MOVING IN is at once a film about homelessness and a question about how that situation is represented.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
A young woman travels with her partner to England on the unexpected death of her brother. Staying with her sister-in-law, she finds her companion soon drawn into a satanic cult based in the house whose rites seem to centre somewhat on large-scale sexual congress.
Following Rocky Balboa's intense battle with his most powerful adversary yet – the ferocious Clubber Lang – Rocky joins forces with former rival Apollo Creed in an effort to get back his fighting spirit.
Original television production for young people. A dramatically unusual story of the most elusive meeting of former classmates from primary school, who, thanks to their first social experiences, corrected adolescent swarms and clarified their possibilities for real self-employment, their life desires and creative goals in life.
It begins in the days after Sadat's assassination in 1981 by an islamist cell of army officers. The American media had led an outpouring of shock and grief in the United States at the death of the heroic president.
Musician Fela Anikulapo Kuti recorded more than 60 albums to promote the magic of Afrobeat but never lost his political voice as an outspoken critic against widespread government corruption in Nigeria.
