It's a rare occasion when a noted filmmaker like Yamauchi Tetsuya gets to re-visit a previous film, and in this re-make of NINJA GARI, he not only does that, but has created an even better piece. While the original from 1964 starred the great old-time actor Konoe Jushiro, this version is perfectly cast with his son Matsukata Hiroki in the lead as Wadakuro, one of four ronin hired to fight against the Shogunate's plot to abolish the Gamo Clan, who are struggling to reinstate their young heir Tanemaru as their Lord. Facing the threat of the Koga Ninja, Wadakuro shows his own cruelty while on a personal vendetta. This is a very brutal film, with lots of realistic ninja action, violent deaths, a dark story line and is completely without any light-hearted 'humor' elements that Toei used to incorperate back in the golden era. And with Matsukata Hiroki's outstanding martial skills, the swordplay is even better in this one. This is definitely one of the best ninja movies ever made!
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
A master swordsman is ordered to go undercover on a mission to find and destroy a cannon factory being used by two samurai clans that try to usurp power and gain the position of shogun for one of their own.
Even though Gennosuke and Oboro are from rival ninja villages, they are secretly in love. At an annual conference with the Lord, it is dictated that a competition--a fight to the death--will take place between the five best shinobi from each village.
Set in war-torn 15th century Kyoto, on the eve of the Onin War, the movie centers on a band of outlaws led by Hyoe, a scoundrel whose lethal sword skills place him at the tip of the spear in a deadly uprising against the corrupt Shogunate and its army, led by former friend-turned-archrival Doken.
Shankar is a self-starter who is scorned and expelled from the family by his virago stepmother. However, he well-earns with his hard work and lives buoyant with his wife Sona and a child Munna.
Tomisaburo Wakayama is back with a new take on the classic Yamamoto Shugoro masterpiece “Ame Agaru” as a samurai on the run with his bride who makes a living by challenging dojo masters to a match, then taking money from them to keep quiet about it.
The ape-man, found somewhere in the jungles of Congo, transferred to Milan and named Bingo Bongo. The only one who believes in the human qualities of him is Laura, a woman anthropologist , so their affection for each other even grows to love.
